Introducing Touch of Evil at the Habitat Film Club

Hear ye, film buffs in Delhi. On December 7, I will be introducing Orson Welles’s Touch of Evil for the Habitat Film Club — please come across if you’re interested. The version I’m showing is the 1998 re-cut/restoration done by Walter Murch, guided by the long memo that an anguished Welles wrote to Universal Pictures after seeing their cut of the film in 1958. The introduction itself will probably only be five to seven minutes long, but we hope to have a more elaborate discussion after the screening.

(On another note, I hope to do more of these introductions/discussions in future. Among the many, many other personal favourites I considered screening this time: Dziga Vertov’s Man with a Movie Camera, Billy Wilder’s Ace in the Hole, Kaneto Shindo’s Onibaba, Georges Franju’s Eyes Without a Face, Brian De Palma’s Sisters and Hi Mom!, Leo McCarey’s Make Way for Tomorrow, Powell-Pressburger’s A Canterbury Tale, Ozu’s Early Summer, Val Lewton’s Curse of the Cat People, Masaki Kobayashi’s Harakiri, John Cassavetes’s A Woman Under the Influence. With any luck I’ll be able to screen some of these at some point.)